Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 5 | 13.5% |
| G7 | 5 | 13.5% |
| A7 | 3 | 8.1% |
| F#m7 | 2 | 5.4% |
| B7b13 | 2 | 5.4% |
| Em7 | 2 | 5.4% |
| Cmaj7 | 2 | 5.4% |
| Am7 | 2 | 5.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 5 |
| A7 -> Dm7 | Resolution (Minor) | 3 |
| F#m7 -> B7b13 | Setup (Major Key) | 2 |
| B7b13 -> Em7 | Resolution (Minor) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Starts with a series of descending sequential ii-Vs (ii-V of iii, then ii-V of ii), delaying the tonic arrival until measure 7.
- Incorporates a sudden modulation to the bVI key (Abmaj7) via a Bbm7-Eb7 progression, a classic Berlin chromatic shift.
- Employs secondary dominants (A7) to create a cycle-of-fourths momentum toward the G7 turnaround.
- Features functional chromaticism through the Eø7 to Fm7 movement, facilitating the transition back from the Ab section to the primary key.
Improvisation Focus Voice leading through sequential ii-V-I patterns using guide tones.
Difficulty Rating 3/5; while the melody is diatonic, the frequent secondary ii-V movements and the non-tonic starting chord require intermediate harmonic fluency.