Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D6/A | 5 | 8.1% |
| Gm7 | 3 | 4.8% |
| Em7b5 | 3 | 4.8% |
| A7#5 | 3 | 4.8% |
| D6 | 3 | 4.8% |
| Bb6 | 2 | 3.2% |
| Cm7 | 2 | 3.2% |
| F7#9 | 2 | 3.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7#9 | Setup (Major Key) | 2 |
| F7#9 -> Bbmaj7 | Resolution (Major) | 2 |
| Em7b5 -> A7 | Setup (Minor Key) | 2 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Ebmaj7 -> Ab7 | Setup (Major Key) | 1 |
| Ab7 -> Dbmaj7 | Resolution (Major) | 1 |
| Gmaj9 -> C7 | Setup (Major Key) | 1 |
| B7#5 -> Em7b5 | Resolution (Minor) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| D7/C -> Gmaj7 | Resolution (Major) | 1 |
| Em7 -> A7/D | Setup (Major Key) | 1 |
Harmonic Highlights
- Features extensive direct modulations, notably establishing a Bb major tonicization (Bb6, Gm7, Cm7, F7#9) distant from the stated D major key center.
- Utilizes clear ii-V-I progressions for temporary tonicizations, demonstrated by Cm7-F7#9 to Bb and Ab7 to Dbmaj7.
- Incorporates tritone substitutions (e.g., Ab7) and altered dominant voicings (F7#9) for rich chromaticism and tension.
Improvisation Focus Navigating rapid and distant modulations with precise chord-scale application.
Difficulty Rating 5 (Advanced) โ Its frequent, distant modulations and sophisticated use of altered dominants demand high-level harmonic comprehension.