Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F | 10 | 26.3% |
| C7 | 7 | 18.4% |
| G7 | 4 | 10.5% |
| Bb | 4 | 10.5% |
| Gm7 | 2 | 5.3% |
| Bb7 | 2 | 5.3% |
| F7 | 2 | 5.3% |
| Bbm7 | 2 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Features standard ii-V-I cadences firmly establishing F major as the tonic.
- Frequent tonicization of the IV chord (Bb major) through its ii-V progression (Cm7-F7) and direct V7 (F7).
- Employs secondary dominants like G7 (V7/V) leading to C7, adding harmonic interest and forward motion.
- A notable chromatic move is the Eb7 (bVII7) resolving to C7, creating a bluesy tension before the dominant.
Improvisation Focus: Navigating temporary tonicizations using appropriate dominant modes and arpeggios.
Difficulty Rating: 3 (Intermediate). The frequent temporary modulations and chromatic movements require active harmonic awareness beyond simple diatonic playing.