Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 13 | 22.0% |
| Am7b5 | 6 | 10.2% |
| Eb7 | 6 | 10.2% |
| Gm7/F | 4 | 6.8% |
| Cm7 | 4 | 6.8% |
| C9 | 4 | 6.8% |
| D7b9 | 4 | 6.8% |
| C9/E | 2 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7b9 | Setup (Major Key) | 2 |
| G7b9 -> Cm7 | Resolution (Minor) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 2 |
| Am7b5 -> D7#9 | Setup (Minor Key) | 2 |
| D7#9 -> Gm7 | Resolution (Minor) | 2 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 2 |
| D7b9 -> Gm7 | Resolution (Minor) | 2 |
| D7b13 -> Gm7 | Resolution (Minor) | 2 |
| D7b9 -> Am7b5 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The opening features a sophisticated descending chromatic bass line (G–F–E–Eb) shifting through Gm7, Gm7/F, C9/E, and Cm6/Eb, creating rich internal voice leading.
- The progression utilizes C9 as a secondary dominant (IV7), lending a Dorian flavor and a blues-inflected “soulful” quality to the G minor tonality.
- Tritone substitutions like Ab7 (subV/i) provide dark, chromatic approaches to the tonic, typical of Carmichael’s harmonically dense style.
- Standard minor ii-V-i cells (Am7b5–D7#9–Gm7) anchor the chromaticism, ensuring the G minor center remains the primary resolution point.
Improvisation Focus G Melodic Minor (to navigate the natural 6th of C9 and the leading tone of D7#9).
Difficulty Rating 4 (Advanced Intermediate). The unconventional descending bass movement and non-functional dominant chords require precise chord-tone targeting and a mastery of minor-key voice leading.
📚 Standard Available in:
The Real Book - Volume II
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