Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D7 | 6 | 12.5% |
| Gm7 | 6 | 12.5% |
| Fmaj7 | 5 | 10.4% |
| Em7b5 | 4 | 8.3% |
| G7 | 4 | 8.3% |
| C7 | 4 | 8.3% |
| F6 | 4 | 8.3% |
| A7b9 | 3 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 4 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 3 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Em7b5 -> A7 | Setup (Minor Key) | 1 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| Gm7 -> D7#9 | Setup (Major Key) | 1 |
| D7#9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7#9 | Setup (Major Key) | 1 |
| C7#9 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes a minor ii-V (Em7b5 - A7b9) to target D7, functioning as a secondary dominant (VI7) that initiates a strong cycle of fifths.
- Employs an extended circle-of-fifths chain (VI7 - II7 - V7 - I) to create harmonic momentum back toward the tonic.
- Integrates standard I-vi-ii-V turnarounds (Fmaj7 - Dm7 - Gm7 - C7) to anchor the F major tonality amidst chromatic shifts.
Improvisation Focus Voice-leading through guide tones (3rds and 7ths) to highlight the resolution of secondary dominants.
Difficulty Rating 3/5; the ballad tempo provides space for melodic development, but the frequent non-diatonic chord changes require a sophisticated understanding of bebop resolutions.