Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F7 | 5 | 31.2% |
| Bb7 | 2 | 12.5% |
| D7 | 2 | 12.5% |
| Gm7 | 2 | 12.5% |
| C7 | 2 | 12.5% |
| Cm7 | 1 | 6.2% |
| B07 | 1 | 6.2% |
| Am7 | 1 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| F7 -> Cm7 | Resolution (Minor) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a ii-V cell (Cm7 - F7) in bar 4 to create a strong tonicization of the IV chord (Bb7).
- Utilizes a #iv diminished passing chord (B°7) in bar 6 to provide chromatic ascending voice leading back to the tonic.
- Features a sophisticated iii-VI-ii-V turnaround (Am7 - D7 - Gm7 - C7) in bars 8-10, replacing the simpler V chord movement typical of early blues.
- Follows a 12-bar “Bebop Blues” structure characterized by dense harmonic rhythm and frequent secondary dominants.
Improvisation Focus F Bebop Dominant scale and guide-tone targeting over rapid ii-V sequences.
Difficulty Rating 3/5 - While the 12-bar form is foundational, the fast tempo and dense turnaround require precise navigation of chromatic passing tones and secondary dominants.
📚 Standard Available in:
The Real Book - Volume I
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