Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 9 | 20.9% |
| Am7 | 8 | 18.6% |
| G7 | 6 | 14.0% |
| C6 | 3 | 7.0% |
| Cmaj7 | 3 | 7.0% |
| Em7 | 3 | 7.0% |
| G7b13 | 2 | 4.7% |
| A7 | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 6 |
| Dm7 -> G7b13 | Setup (Major Key) | 2 |
| G7b13 -> Cmaj7 | Resolution (Major) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| G7 -> Dm7 | Resolution (Minor) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| F#m7b5 -> B7b9 | Setup (Minor Key) | 1 |
| B7b9 -> Em7 | Resolution (Minor) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| E7b9 -> Am7 | Resolution (Minor) | 1 |
| Am7 -> D7b9 | Setup (Major Key) | 1 |
| Dm7 -> G7#9 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes consistent I-vi-ii-V turnarounds (Cmaj7-Am7-Dm7-G7) to establish and reinforce the C major tonality.
- Incorporates secondary dominants, specifically the A7 (V/ii), to create a stronger functional pull toward the supertonic (Dm7).
- Employs altered dominant tension via the G7b13, providing a chromatic descending voice-leading (Eb to D) toward the tonic.
- Features a brief tonicization of the iii chord (Em7) through a minor ii-V (F#m7b5 - B7b9), adding a sophisticated, temporary shift to the relative Phrygian center.
Improvisation Focus Chord Tone Soloing, specifically targeting the 3rds and 7ths to navigate the frequent ii-V-I cycles and secondary dominants.
Difficulty Rating 2/5: The song follows standard functional harmony and a predictable harmonic rhythm, making it highly accessible for developing jazz musicians.
📚 Standard Available in:
The Real Book - Volume V
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