Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7/G | 4 | 7.5% |
| C7sus | 4 | 7.5% |
| Abm7 | 3 | 5.7% |
| Bb/Ab | 3 | 5.7% |
| Gm7 | 3 | 5.7% |
| Gmaj7 | 2 | 3.8% |
| G7sus | 2 | 3.8% |
| Ab/C | 2 | 3.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7sus | Setup (Major Key) | 3 |
| F7#5 -> Bbm7 | Resolution (Minor) | 2 |
| Fm7 -> Bb7sus | Setup (Major Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Non-functional root movements using major 7th chords related by minor thirds (Gmaj7 to Ebmaj7/G), establishing a “floating” Lydian texture.
- Extensive use of slash chords and pedal points (Bb/Ab, D/C, Ab/C) that prioritize upper-structure colors over traditional functional cadences.
- Shifting modal centers that transition abruptly between distantly related keys, such as G major, Eb major, and Gb major, bypassing standard ii-V-I resolutions.
Improvisation Focus Modal shifting between Lydian and Mixolydian scales.
Difficulty Rating 4/5. The lack of traditional functional harmony and the abundance of slash chords require advanced modal fluency and precise navigation of shifting tonal centers.
π Standard Available in:
The Real Book - Volume I
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