Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am9 | 6 | 9.5% |
| Cmaj7 | 5 | 7.9% |
| Fm6/G | 5 | 7.9% |
| Fmaj7 | 4 | 6.3% |
| Em7 | 3 | 4.8% |
| Am | 2 | 3.2% |
| Dm6 | 2 | 3.2% |
| Dm7 | 2 | 3.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| E7/G# -> Am9 | Resolution (Minor) | 2 |
| G7sus -> Cmaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b5 | Setup (Minor Key) | 1 |
| D7b5 -> Gmaj7 | Resolution (Major) | 1 |
| Bm7b5 -> E7 | Setup (Minor Key) | 1 |
| E7 -> Am9 | Resolution (Minor) | 1 |
- Fluid interchange between A minor and C major tonalities, emphasized by a ii-V-I (D9-G7sus-Cmaj7) resolving to C.
- Rich harmonic color derived from extensive modal interchange and chromaticism, notably through chords like Abmaj7 and Eb69.
- The V7/i (E7/G# to Am9) consistently re-establishes the A minor home key amidst sophisticated harmonic excursions.
Improvisation Focus: Chord-scale theory applied to navigating rapid temporary modulations and chromatic alterations.
Difficulty Rating: 4 (Advanced). This piece demands a deep understanding of modal interchange, advanced chord voicings, and the ability to improvise over complex chromatic changes.