Chord Distribution Analysis

Chord SymbolCountFrequency
C7b9510.6%
Bbmaj736.4%
Gm7b536.4%
Fmaj724.3%
Em7b524.3%
A7b924.3%
Dm724.3%
Db724.3%

Key Patterns Detected

PatternFunctionFrequency
Gm7b5 -> C7b9Setup (Minor Key)3
Em7b5 -> A7b9Setup (Minor Key)2
A7b9 -> Dm7Resolution (Minor)2
Cm7 -> F7b9Setup (Major Key)2
F7b9 -> Bbmaj7Resolution (Major)2
Gm7 -> C7b9Setup (Major Key)2
Bbm7 -> Eb7b9Setup (Major Key)1
Eb7b9 -> Abmaj7Resolution (Major)1
Ebm7 -> Ab7Setup (Major Key)1
C7b9 -> Fm7Resolution (Minor)1
Dm7b5 -> G7b9Setup (Minor Key)1
C7b9 -> Fmaj7Resolution (Major)1
Bbm7 -> Eb7Setup (Major Key)1
Am7 -> D7Setup (Major Key)1
D7 -> Gm7Resolution (Minor)1
D7#9 -> Gm7Resolution (Minor)1

Harmonic Highlights

  • Frequent secondary ii-V-I progressions target the relative minor (Dm7) and the subdominant (Bbmaj7), establishing a sophisticated tonal roadmap.
  • A striking modulation to the bIII (Abmaj7) via a parallel minor ii-V (Bbm7-Eb7) showcases Porterโ€™s characteristic use of modal interchange.
  • Chromatic subV7 chords, such as the Db7 (subV/ii), provide smooth melodic voice leading into the subsequent ii-V-I cycles.

Improvisation Focus Voice leading through shifting key centers by targeting guide tones (3rds and 7ths) during the frequent ii-V transitions.

Difficulty Rating 3 (Intermediate): The rapid modulations between F, Bb, and Ab major require an agile understanding of non-diatonic harmony and functional substitutions.


๐Ÿ“š Standard Available in:

The Real Book - Volume VI
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