Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C | 8 | 24.2% |
| G7 | 6 | 18.2% |
| F | 5 | 15.2% |
| Am | 4 | 12.1% |
| Fm | 3 | 9.1% |
| Em | 3 | 9.1% |
| C7 | 1 | 3.0% |
| Dm | 1 | 3.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am -> D7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Prominent use of the secondary dominant (C7) resolving to the IV chord (F).
- Classic jazz progression featuring the minor subdominant (Fm) resolving to the tonic (C), adding a melancholic color.
- Standard I-V7-I tonicization is established early and reinforces the C major key center.
- Diatonic movement like I-vi-iii-IV (C-Am-Em-F) expands beyond typical I-vi-ii-V patterns.
Improvisation Focus: Functional Harmony, emphasizing dominant resolution and modal interchange.
Difficulty Rating: 3 (Intermediate) - It combines standard diatonic harmony with common jazz alterations like secondary dominants and the minor subdominant.