Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am9 | 4 | 8.3% |
| C7 | 4 | 8.3% |
| Fm7 | 3 | 6.2% |
| Bb7 | 3 | 6.2% |
| Gm7 | 3 | 6.2% |
| Amaj7 | 3 | 6.2% |
| Gm9 | 2 | 4.2% |
| Fm9 | 2 | 4.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Am7 -> D7b9 | Setup (Major Key) | 2 |
| Amaj7 -> D7#11 | Setup (Major Key) | 2 |
| Dbmaj7 -> Gb7#11 | Setup (Major Key) | 2 |
| Bmaj7 -> E7#11 | Setup (Major Key) | 2 |
| D7b9 -> Amaj7 | Resolution (Major) | 1 |
| D7#11 -> Amaj7 | Resolution (Major) | 1 |
| Gb7#11 -> Dbmaj7 | Resolution (Major) | 1 |
| E7#11 -> Bmaj7 | Resolution (Major) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| E7 -> Am9 | Resolution (Minor) | 1 |
| C7 -> Fm | Resolution (Minor) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Bb7 -> Ebm7 | Resolution (Minor) | 1 |
| Ebm7 -> Ab7 | Setup (Major Key) | 1 |
Harmonic Highlights
- Establishes initial D minor tonality with modal minor chord movements (Am9, Gm9) before departing.
- Intersperses conventional ii-V progressions in transient keys (e.g., Fm7-Bb7 for Eb, Gm7-C7 for F).
- Employs distinct Lydian Major to Lydian Dominant chord pairs (e.g., Amaj7-D7#11) for characteristic voicings and harmonic colors.
- Features rapid, often chromatically or major third related, modulations via these Lydian pairs, creating harmonic unpredictability.
Improvisation Focus Focus on the Lydian mode and its application to both major and dominant 7#11 chords.
Difficulty Rating 5 (Advanced): The frequent and distant modulations combined with specific Lydian and Lydian Dominant sonorities demand advanced harmonic understanding and agility.