Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Eb6 | 9 | 25.0% |
| Bb7 | 6 | 16.7% |
| Fm7 | 5 | 13.9% |
| E07 | 4 | 11.1% |
| Ab7 | 4 | 11.1% |
| G7 | 2 | 5.6% |
| C7 | 2 | 5.6% |
| F7 | 2 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 4 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a frequent I - #io7 - iim7 - V7 turnaround (Eb6 - Edim7 - Fm7 - Bb7), using the diminished chord as a chromatic passing connector.
- Features a classic “backcycling” secondary dominant chain (G7 - C7 - F7 - Bb7), navigating the circle of fifths to return to the tonic.
- Incorporates the IV7 chord (Ab7) in the bridge, introducing a blues-oriented subdominant sound that deviates from standard diatonic behavior.
Improvisation Focus Eb Major Bebop scale to emphasize chord tones while smoothly bridging chromatic passing motions.
Difficulty Rating 2/5 β The clear functional harmony and predictable secondary dominants make this an accessible study in traditional jazz turnaround patterns.
π Standard Available in:
The Real Book - Volume V
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