Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Em7 | 8 | 9.6% |
| Dm7 | 6 | 7.2% |
| B7 | 5 | 6.0% |
| C#m7 | 4 | 4.8% |
| F#m7 | 4 | 4.8% |
| A7sus | 4 | 4.8% |
| Fmaj7 | 4 | 4.8% |
| Fm7 | 3 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F#m7 -> B7 | Setup (Major Key) | 3 |
| B7 -> Em7 | Resolution (Minor) | 3 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| F#m7b5 -> B7b9 | Setup (Minor Key) | 1 |
| B7b9 -> Em7b5 | Resolution (Minor) | 1 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| Ab7sus -> Dbmaj13 | Resolution (Major) | 1 |
| Dm7b5 -> G7b9 | Setup (Minor Key) | 1 |
| G7b9 -> Cm7 | Resolution (Minor) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| Gm7b5 -> C7#9 | Setup (Minor Key) | 1 |
| C7#9 -> Fm7 | Resolution (Minor) | 1 |
| Em7 -> A7sus | Setup (Major Key) | 1 |
| A7sus -> Dm7 | Resolution (Minor) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Ab7 -> Dbmaj7 | Resolution (Major) | 1 |
| E7 -> Amaj7 | Resolution (Major) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Oscillating minor seventh chords (Dm7 to C#m7) utilize chromatic side-slipping to create modal ambiguity early in the form.
- Sequential ii-V cells (F#m7-B7 to Em7-A7) showcase a cascading cycle of fifths that temporarily departs from the A minor tonic.
- A diatonic stepwise descent (G, F, Em, Dm7, Cmaj7) provides a lyrical anchor against the more complex chromatic transitions.
- The Bbmaj7#11 functions as a Lydian bII substitute, offering a sophisticated approach to the dominant before recycling through minor ii-V-i patterns.
Improvisation Focus Modal Interchange: Navigating the shifts between A Aeolian and A Melodic Minor while applying Lydian Dominant concepts over the non-functional ii-Vs.
Difficulty Rating 4/5. The rapid parallel chord movements and frequent modulation between secondary key centers require advanced harmonic fluency and quick mental transposition.