Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 6 | 18.8% |
| Cmaj7 | 4 | 12.5% |
| G7 | 4 | 12.5% |
| Cm7 | 2 | 6.2% |
| F7 | 2 | 6.2% |
| Bbmaj7 | 2 | 6.2% |
| Bbm7 | 2 | 6.2% |
| Eb7 | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 4 |
| Cm7 -> F7 | Setup (Major Key) | 2 |
| F7 -> Bbmaj7 | Resolution (Major) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| Eb7 -> Abmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7#9 | Setup (Major Key) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| G7#9 -> Dm7 | Resolution (Minor) | 1 |
| G7 -> Cmaj7/E | Resolution (Major) | 1 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| C#m7 -> F#7 | Setup (Major Key) | 1 |
| G7#9 -> Cmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Sequential ii-V-I modulations: The A-section descends through three distinct tonal centers (C, Bb, and Ab) via whole-step shifts of the ii-V-I cell.
- Harmonic Parallelism: The structure relies on identical harmonic units transposed down by whole steps, requiring the soloist to shift scales rapidly.
- Chromatic Turnarounds: The bridge utilizes standard ii-V patterns in the home key, punctuated by a chromatic side-slip (C#m7-F#7) to create tension before returning to the Dm7.
Improvisation Focus Smooth voice-leading through guide-tones (3rds and 7ths) to bridge the transitions between rapidly shifting key centers.
Difficulty Rating 3/5 because the performer must navigate constant modulations while maintaining melodic continuity across three different major scales.
📚 Standard Available in:
The Real Book - Volume I
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.