Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 8 | 40.0% |
| Eb | 6 | 30.0% |
| Db7#9/Ab | 2 | 10.0% |
| C7#9/G | 2 | 10.0% |
| Db | 2 | 10.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7#9/G -> Fm7 | Resolution (Minor) | 2 |
Harmonic Highlights:
- Prominent use of the vi minor chord (Fm7) establishes a strong modal quality, often functioning as a temporary tonic within the broader Ab major context.
- Frequent deployment of V7/vi (C7#9) resolves strongly to Fm7, emphasizing a recurring secondary dominant relationship.
- The Db7#9/Ab chord acts as an altered IV7, providing unique chromatic color and pre-dominant tension before the C7#9.
Improvisation Focus: F Dorian scale.
Difficulty Rating: 3 (Intermediate). The modal implications and the non-diatonic dominant functions require a foundational understanding of secondary dominants and modal improvisation.