Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cmaj7 | 5 | 14.7% |
| Am7 | 4 | 11.8% |
| Dm7 | 3 | 8.8% |
| G7 | 3 | 8.8% |
| Bm7b5 | 2 | 5.9% |
| E7b9 | 2 | 5.9% |
| Gm7 | 2 | 5.9% |
| C7 | 2 | 5.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 3 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 2 |
| E7b9 -> Am7 | Resolution (Minor) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Fmaj7 -> Bb7#11 | Setup (Major Key) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| Ebm7 -> Ab7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent use of secondary ii-V progressions, specifically targeting the relative minor (Am7) via a Bm7b5-E7b9 sequence.
- Smooth modulation to the IV chord (Fmaj7) facilitated by a Gm7-C7 ii-V chain, a classic bebop-era device.
- Integration of the “backdoor” dominant Bb7#11 (bVII7), providing a Lydian Dominant color that bridges back to the tonic-functioning Em7.
- Sequential dominant motion (A7 to D7) creates a strong cycle-of-fifths pull leading into the final Dm7-G7 turnaround.
Improvisation Focus Functional Voice Leading. Navigating the 3rds and 7ths through shifting ii-V-I centers is essential for outlining the sophisticated harmonic movement.
Difficulty Rating 3 (Intermediate): The progression follows a logical standard form but requires precise navigation of minor ii-V-I sequences and chromatic substitutions.
📚 Standard Available in:
The Real Book - Volume II
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