Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 8 | 25.8% |
| Fm7 | 5 | 16.1% |
| Bb7 | 5 | 16.1% |
| Gm7 | 3 | 9.7% |
| C7 | 3 | 9.7% |
| Abmaj7 | 2 | 6.5% |
| Ab6 | 2 | 6.5% |
| Abm6 | 2 | 6.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 5 |
| Gm7 -> C7 | Setup (Major Key) | 3 |
| C7 -> Fm7 | Resolution (Minor) | 3 |
| Bb7 -> Fm7 | Resolution (Minor) | 2 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
Harmonic Highlights:
- Features a prominent
iii-VI-ii-Vturnaround (Gm7-C7-Fm7-Bb7) as a foundational harmonic device. - Utilizes the classic
IV-ivchord progression (Ab6-Abm6), introducing a distinct minor plagal sound. - The
Eb7chord functions as a secondary dominant (V7/IV), setting up the resolution to theAb6(IV) chord.
Improvisation Focus: Eb Major scale and its diatonic modes.
Difficulty Rating: 2 (Beginner-Intermediate). The harmony is predominantly diatonic with clear ii-V progressions and common, easily navigable color chords like the minor iv.