Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 12 | 27.9% |
| G7 | 7 | 16.3% |
| A7b9 | 4 | 9.3% |
| Cmaj7 | 2 | 4.7% |
| Em7 | 2 | 4.7% |
| Eb07 | 2 | 4.7% |
| Fm7 | 2 | 4.7% |
| Bb7 | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 6 |
| Dm7 -> A7b9 | Setup (Major Key) | 4 |
| A7b9 -> Dm7 | Resolution (Minor) | 4 |
| G7 -> Dm7 | Resolution (Minor) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
| G7 -> Cm7 | Resolution (Minor) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilization of the Eb°7 passing chord between Em7 and Dm7 to provide smooth chromatic voice leading within the diatonic framework.
- Frequent ii-V-I sequences (Dm7-G7-Cmaj7 and Fm7-Bb7-Ebmaj7) that define clear tonal centers and facilitate modulation.
- Integration of the A7b9 dominant chord to provide a strong harmonic minor pull back to the D minor tonic.
- A bridge section that modulates to the bII major (Ebmaj7) via its ii-V (Fm7-Bb7), creating a bright, temporary harmonic shift.
Improvisation Focus Navigating ii-V-I cells and managing the modulation between the D minor tonic and the Eb major bridge.
Difficulty Rating 2/5 (Beginner-Intermediate): The piece follows a standard AABA form with predictable jazz cadences and clear key centers, making it highly accessible for study.
📚 Standard Available in:
The Real Book - Volume VI
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